Critic Barney Hoskyns referred to U2 as 'Dram-rock' and likened their melodramatic approach to that of Echo & The Bunnymen and The Associates. A second album October (1981) just missed out on the UK Top 10 but its successor War (1983) reached the No 1 spot.Īlthough the rhythm section of Mullen Jr and Clayton were solid, if somewhat workmanlike, the band's appeal lay largely in Bono's yearning, impassioned voice and The Edge's distinctive ringing guitar lines. It failed to chart here but more significantly it reached No 20 in the Billboard Top Tracks charts when released in the US in 1981.īoy also charted in a number of countries including the US, and thereafter U2's rise was – to use a cliche – meteoric. But a second single 'I Will Follow' was released simultaneously with the album and its insistent guitar hook and a pop melody picked up UK airplay. It was preceded in August by the lead single 'A Day Without Me', which didn't create much of a stir.
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Ī sort of musical rite of passage from adolescence to manhood, the album received some good reviews.
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They recorded two singles for CBS Ireland, which failed to chart in that country, but in 1980 Island Records offered them a deal and, in October of that year, released their debut album Boy, which was produced by Steve Lillywhite. Like many of their young peers they began as an amateurish combo, but their playing soon tightened up. First calling themselves Feedback and then The Hype, before settling on U2, the group comprised four teenage friends: vocalist Bono Vox (real name Paul Hewson), guitarist The Edge (aka Dave Evans), Adam Clayton on bass and Larry Mullen Jr on drums. One of these began life in 1976 at Mount Temple Comprehensive School in Clontarf, a coastal suburb of Dublin.
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It was relatively brief, but the cultural convulsion of UK punk in the late '70s prompted an upwelling of rock groups, leaner and hungrier than their predecessors. They went from post-punk hopefuls to stadium headliners in just five years, but keen to avoid repeating themselves the band turned to producers Brian Eno and Daniel Lanois to reshape their music, a strategy that resulted in one of the best selling records of all time